Walter Boychuk photographs 1912-1961 1920-1945

ArchivalResource

Walter Boychuk photographs 1912-1961 1920-1945

Photographs taken by Walter Boychuk of Portland, Or., including both commercial and private work. Includes portraits and landscapes primarily from Oregon and Washington state, as well as photographs from two commercial projects: the Historic American Building Survey and the Golden Gate International Exposition in San Francisco in 1939.

12 cubic feet; 1,569 photographic prints in 12 boxes, 2 oversize boxes and 1 oversize folder; 738 photographic prints in 1 album; and 1,500 glass plate and film negatives in 9 boxes

eng,

Information

SNAC Resource ID: 6380249

Related Entities

There are 3 Entities related to this resource.

Historic American Building Survey (San Francisco, Calif.)

http://n2t.net/ark:/99166/w6d8357n (corporateBody)

The Hampton Lillibridge House was built in 1796 by Rhode Island native, Hampton Lillibridge in the traditional New England style. The house was originally located at 310 East Bryan Street in Savannah, Georgia, but when it was purchased by antiques dealer, Jim Williams, in 1963 it was moved to its present location at 507 East Julian Street in Savannah, where it is known as one of Savannah's most haunted homes. From the description of Hampton Lillibridge House architectural drawings, 1...

Boychuk, Walter, 1886-1967

http://n2t.net/ark:/99166/w6rv1767 (person)

Walter Boychuk (1886-1967) worked as a photographer in Oregon for half a century, making portraits of everyone from ordinary citizens to nationally known figures, including Sen. Wayne Morse, J. Robert Oppenheimer, Eleanor Roosevelt, Lowell Thomas, and Norman Thomas. Boychuk was born Oct. 25, 1886, at Galatia, Austria. He immigrated to Canada in 1903 and came to Portland in 1906, where he began working as a photographer around 1912. For a few years during the late 1920s, ...

Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)

http://n2t.net/ark:/99166/w63j7930 (corporateBody)

History It has been said that with two great bridges in the course of construction, there began in San Francisco, in about 1933, a substantial feeling that a celebration or exposition should be held to commemorate their completion. As the plans for an exposition developed, it seemed fitting that its theme should be man's progress in communication, transportation, trade and industry, since these were the fields symbolized by the bridges. The S...